I only smoke when I drink (2025)
100 x 140cm, CHF 2500
This piece captures the in-between state where barriers soften—when solitude meets a crowd, and just for a while, you become someone else. The structured, carefully built layers beneath reflect a controlled, introspective life, while the expressive, loose top layers embody the release of letting go. There’s a fleeting joy in this transformation, yet also a quiet sadness—the moment passes, and you’re left wondering if that version of yourself was ever real. But isn’t that part of being human? The contrast of restraint and abandon, the cycle of escape and return. Like smoke, it’s temporary—here for a night, gone by morning.
Emerging for no reason (2025)
60 x 80cm, CHF 1260
This painting emerged without plan or purpose – not to explain, impress, or provoke.
It came from a place beyond words, carried by instinct, colour, and movement.Created in a moment of playful surrender, it is part of an ongoing exploration of what it means to be present – without justification, without narrative. Just here. Just now.There’s a paradox in that: how something seemingly “pointless” can feel so essential. “Emerging for no reason” is a celebration of that feeling – of creating without needing a reason, and finding joy in what appears.
F****n’ vegans (2024)
100 x 140cm,CHF 2500
This piece is bold, tongue-in-cheek piece that playfully challenges the stereotype of veganism as something “weak” or extreme. The oversized carrot becomes a symbol of strength and resilience, humorously reclaiming a narrative often used to mock plant-based lifestyles.
Painted with vibrant layers of acrylic and expressive marks, the work is both cheeky and thought-provoking — a reminder that choosing compassion for animals and the planet is not weakness but a statement of courage. Perfect for those who enjoy art with attitude and clever twist,
Imposter syndrome (2024)
100 x 80cm, CHF 1300
“Imposter Syndrome” represents the self-doubt many of us face, a feeling of not being “good enough” or fearing that our achievements are undeserved. I hope this work opens up a space for empathy, introspection, and, perhaps, recognition in those familiar with this feeling.
This painting has been exhibited at one of the biggest art events in Italy, Arte Padova, 15.-18.11.2024
We will cross it anyway (2025)
55 x 45cm, CHF 640
This painting captures the quiet courage required to move forward in uncertain times. The forms – abstracted, uneven, almost architectural – suggest a fragile bridge, or a sequence of hesitant steps laid out across an undefined space. They waver, but they hold. Bold gestures in orange and black cut through the stillness, marking urgency, resistance, perhaps even exhaustion – yet they do not overwhelm. Instead, they coexist with the delicate structure, reinforcing the central message: even when the ground feels unsteady, movement is possible.We will cross it anyway is not a statement of confidence, but of resolve. It’s about finding strength in the act of going on, even when the destination is unclear. A visual reminder that resilience doesn’t always look strong – sometimes, it simply looks like continuing.
Backyard party (2024)
50 x 50cm, CHF 800
“Backyard Party” is a playful, energetic abstract painting that celebrates connection and spontaneity. Its vivivd greens and pinks feel like fresh grass, laughter, and summer air, while the layered textures and bold marks hint at an urban edge — as if this gathering happens in a city backyard.
This piece was created intuitively without a set plan, allowing the composition to grow naturally, much like conversations and connections at a lively get-together. It radiates joy, movements, making it an uplifting statement piece for any modern space.